Candid documentary-style photograph taken discreetly inside a Berlin U-Bahn car, shot from across the aisle like a passenger quietly filming on their phone. A figure sits on the bench seat, entirely encased in a suit of open laptops duct-taped together across the torso, arms, and legs — same rig, same laptop models and taping as established. Every single screen displays a large pixelated blue eye with a visible pupil, no mouths this time. Lower body in relaxed blue jeans and white chunky sneakers, feet planted on the train floor.

Around the figure, ordinary commuters ignore it completely: a man in a black beanie looking at his phone, a woman with dark hair and earbuds absorbed in her phone, another woman in black scrolling, a fourth person in a beige scarf looking down. Nobody makes eye contact with the eyes.

Setting: yellow grab poles overhead, a transit map running along the ceiling, a "Mund-Nase-Bedeckung" yellow safety sign on the wall, train windows showing a blurred reflection of the Brandenburger Tor station platform outside. Cool, flat fluorescent overhead lighting, slightly desaturated, faint grain. Photorealistic, editorial, no posing, feels like an overheard moment rather than a staged shot