[CHARACTER ANCHOR] Continuous 9:16, 8-second cinematic falling sequence, one unbroken descent.Shot 1 (dolly zoom): On a rooftop edge at golden hour, she stands back to camera; a hand shoves her and she tips forward into free fall. Camera hits an aggressive Hitchcock dolly-zoom — the skyline rushes away while she scales up, vertigo, visceral, handheld.Shot 2 (micro-expression): Cut to an extreme macro close-up of her face mid-fall, morphing from dazed blankness to full panic — pupils dilating, eyes flung wide, lips parted in a silent gasp, hair and sweat flying — then a violent pull-out to a top-down wide shot revealing the dizzying city far below, her body tiny against the streets.Shot 3 (Wes Anderson): The city softens into a pastel Wes Anderson dreamworld — she falls in slow motion, now perfectly centered and symmetrical against a powder-blue sky with evenly-spaced cream clouds, deadpan calm expression, pale-mint vintage dress fluttering neatly, soft high-key flat light, one-point perspective, 35mm grain, Kodak Portra 400.Cool-toned, photoreal for shots 1–2, storybook-pastel for shot 3.