16:9. === SEEDANCE 2.0 — "PINK ROOM RITUAL" / 10s ===REFERENCE LOCK:- IMG_A = Char01 (demon/cenobita): pele branca giz, pentagrama invertido em scarification na testa, agulhas cravadas no rosto, tubos flexíveis rosa saindo da boca e bochechas, cabelo preto laqueado em dois picos verticais, almofadas de couro preto com babados rosa formando silhueta em pétalas, mãos gigantes de pelo rosa com garras pretas curvas, arame farpado na cintura, plataformas pretas.- IMG_B = Char02 (boneca): pele porcelana pálida, suturas vermelhas por todo o corpo, agulhas espetadas nos braços, cabelo preto liso longo, batom vermelho borrado, vestido de cetim rosa e renda branca com laços gigantes, fivelas brancas nas coxas, botas plataforma glitter rosa.- IMG_C = sala rosa: paredes e piso em pelo rosa, TV CRT rosa inflada, torre de boom boxes e tape decks, coelho de pelúcia rosa gigante com olhos azuis, poltronas de pelo longo.Identity, costume, proportions and materials must remain 100% locked to thereference images. No redesign, no simplification, no beautification.STYLE LOCK:Cinematic live-action horror-fashion film. Anamorphic 35mm look, shallow depthof field, heavy practical haze. Color pole: single dominant pink light source(magenta/rose 3200K bounce) against deep black shadow. Fine 35mm grain, subtlehalation on speaker LEDs, slight gate weave. Slow shutter drag on fast limbmovement (~1/25s feel) creating soft ghost trails. No slow motion. Camera onhandheld gimbal, micro-drift, imperfect human framing.SCENE:Interior — the pink fur room. Wall of stacked vintage stereo systems pulsing.Gothic music playing loud (implied): the space vibrates, fur nap trembles onthe floor, dust lifts. The two characters dance facing each other.BEATS:0.0–1.5s — Ultra low angle from floor level, pink fur in foreground out offocus. Boots enter frame: glitter platform (IMG_B) on the left, black platform(IMG_A) on the right. Both stomp once, in sync, on the beat. Dust and fur fly.1.5–3.5s — Camera rises to waist height, slow push in. IMG_B begins a butoh-slowgothic sway: head tilted hard to one side, hair falling over the face, armslifting in broken angular jerks, red threads swinging. Contrast: her movement isbrittle and marionette-like.3.5–5.5s — Whip pan right to IMG_A. He dances in violent bursts — the pillowpetals of the costume swing wide, the giant pink fur hands sweep the air, blackclaws slicing past the CRT screen. The pink tubes from his mouth swing with themotion. Between bursts he freezes completely for a half beat.5.5–7.5s — Camera orbits behind the CRT television, foreground silhouette of thepink TV shell, both characters visible in the gap dancing together in the samerhythm now — mirrored steps, opposite bodies. Stereo VU meters flicker in thebackground.7.5–9.0s — Cut to close-up: IMG_B's face, hair whipping, sutures catching thepink light, eyes locked to camera without blinking while her body keeps movingoff-rhythm below frame.9.0–10.0s — Camera pulls back fast to a wide symmetrical frame: both characterscenter, mid-dance, arms raised. Lights on the stereo tower cut to black for twoframes, come back — and both are frozen in a completely different pose, staringstraight into the lens.AUDIO INTENT:Distorted gothic rock / deathrock rhythm, heavy reverb drums, bass through blownspeakers, faint tape hiss. Room tone: fur muffling everything.DO NOT:- Do not change costume silhouette, material, or color of either character.- Do not remove needles, sutures, tubes, claws or the forehead scarification.- Do not make either character smile or look playful.- No gore, no blood spray, no wounds opening.- No text, no logos, no on-screen titles, no watermark.- No slow motion, no speed ramp, no dolly zoom.- No extra characters, no crowd, no mirror duplicates.- Do not change the room: pink fur, CRT TV, stereo tower and giant rabbit stay.- Do not switch to daylight or warm wood-cabin lighting.- No morphing of hands or faces between beats.