Мне нужен рекламный ролик, ниже моя система и промпт, проанализируй, задай вопросы и уточнеия, прежде, чем создавать видео:PROMPT PACK 01–11Mattia × Vlada • 24 secGLOBAL VISUAL LOCKCamera language: cinematic high-end fashion editorial, medium-format photographic rendering, Hasselblad X2D 100C look, natural skin texture, refined micro-contrast, soft highlight roll-off, shallow but physically believable depth of field, elegant compression, restrained luxury, no artificial HDR, no excessive sharpness.Color: muted Côte d'Azur palette, ivory, cream, charcoal, blackened deep emerald, natural skin tones, subtle warm dusk transition. Neutral skin, never orange. No yellow cast.Light: natural late-afternoon Mediterranean daylight gradually transitioning into sunset and blue-hour dusk. Soft directional sunlight, gentle reflected fill, controlled highlights, no crushed blacks, no dramatic artificial spotlight.Texture: realistic silk, natural skin pores, individual hair strands, physically believable fabric folds, subtle atmospheric depth.Image character: sophisticated European fashion editorial, quiet intimacy, cinematic realism, understated sensuality, no commercial glamour exaggeration.Negative visual rules: no logos, no text, no smartphones, no synthetic skin, no plastic shine, no excessive retouching, no deep black shadow clipping, no orange skin, no yellow skin, no dirty shadows, no excessive grain, no film-noise overlay, no exaggerated lens flare, no artificial bokeh shapes, no theatrical posing.CHARACTER LOCK • VLADAYoung European woman, mid-20s, tall and slender with an elegant natural physique, porcelain-light beige skin with subtle natural texture and soft natural blush, light green almond-shaped eyes, defined but delicate facial structure, straight refined nose, naturally full lips, long dark brown hair with soft natural waves, center-to-slight side part, loose around the face, understated natural beauty makeup, softly defined eyes, nude lips, no heavy contouring. Intelligent, calm, sensual without overt seduction, emotionally restrained and self-possessed. Her face, facial proportions, eyes, nose, lips, jawline, skin tone and hair must remain identical and consistent across every shot.CHARACTER LOCK • MATTIAEuropean man in his early 30s, tall, lean athletic build, strong masculine facial structure, short dark brown hair styled naturally with subtle texture, light-to-medium warm beige skin with realistic texture, grey-green eyes, defined jawline, straight nose, restrained masculine expression, light natural stubble. Both arms and hands feature distinctive dense blackwork tattoos with visible ornamental and botanical elements. Silver watch and existing silver rings. Quiet, confident, controlled presence, emotionally restrained but deeply attentive toward Vlada. His face, proportions, hair, eyes, jawline, skin tone, tattoos and overall appearance must remain identical and consistent across every shot.SHOT 01 • VLADA00:00–00:02.2Сцена: Влада впервые появляется в кадре. Она замечает Маттиа, но не улыбается.Look: ivory silk top, cream silk trousers, minimal gold earrings.High-end cinematic fashion editorial portrait of Vlada, a young European woman in her mid-20s, tall and slender, porcelain-light beige skin with subtle natural texture and soft natural blush, light green almond-shaped eyes, delicate refined facial structure, straight refined nose, naturally full lips, long dark brown hair with soft natural waves, loose around her face, understated natural beauty makeup, softly defined eyes and nude lips. Her facial identity, facial proportions, eyes, nose, lips, jawline, skin tone and hair must remain exactly consistent. She wears an elegant ivory silk top and cream silk trousers with minimal gold earrings, no logos or visible branding. Extremely intimate close-up portrait from upper chest to top of head, three-quarter profile, her face turned slightly toward Mattia who is outside the frame, calm restrained expression, subtle awareness in her eyes, relaxed shoulders, no smile. Natural late-afternoon Mediterranean light softly illuminates her face with delicate reflected fill, subtle highlight in the eyes, no harsh contrast. Background is a softly blurred elegant Côte d'Azur villa interior with pale architectural tones. Cinematic medium-format editorial rendering, Hasselblad X2D 100C look, 85mm lens, eye-level camera, shallow physically believable depth of field, refined micro-contrast, soft highlight roll-off, natural skin texture, muted Côte d'Azur palette, sophisticated European fashion editorial realism, extremely subtle slow push-in feeling. No orange skin, no yellow cast, no crushed blacks, no artificial glamour, no plastic skin, no excessive retouching, no grain, no logos, no text.SHOT 02 • VLADA / CAR00:02.2–00:04.3Cinematic high-end fashion editorial scene featuring the same locked Vlada character, identical facial identity, facial proportions, light green almond-shaped eyes, porcelain-light beige skin, long dark brown softly wavy hair and natural makeup. Vlada wears the same ivory silk top, cream silk trousers and minimal gold earrings. She is seated inside a refined vintage luxury car parked near a Côte d'Azur villa, seen through the open side window from outside the vehicle. Medium close-up composition, her face and upper body framed naturally by the car window, one relaxed hand resting near the door, her gaze initially directed outside and subtly turning toward Mattia somewhere off-frame. The atmosphere suggests a fashion production between takes without showing cameras or crew. Late-afternoon Mediterranean daylight falls naturally across the exterior of the car while the interior remains softly shaded with gentle reflected fill, preserving complete detail in the shadows. Background contains softly blurred pale stone architecture, Mediterranean vegetation and distant blue sky. Hasselblad X2D 100C medium-format rendering, 50mm lens, eye-level to slightly lower camera height, subtle lateral camera movement, natural perspective, shallow realistic depth of field, soft highlight roll-off, refined editorial realism, muted ivory, cream, stone and green palette. No orange skin, no yellow cast, no deep black shadows, no logos, no smartphone, no visible production equipment, no artificial glamour, no excessive grain.SHOT 03 • MATTIA00:04.3–00:06.5A high-quality, cinematic, fashion-style close-up of Mattia—a European man in his early thirties who is tall and lean with an athletic build. He features expressive, masculine facial features, short dark textured hair, warm beige skin with realistic natural texture, striking blue-gray-green eyes, a defined jawline, a straight nose, and light, natural stubble. His facial features, proportions, hair, eyes, jawline, skin tone, and distinctive blackwork tattoos must remain completely consistent. He is dressed in a loose-fitting dark gray silk suit—an unstructured dark gray silk blazer worn over a fine-knit black silk top—and wears a silver watch and his signature silver rings. The shot is a close-up from the chest up, captured in a three-quarter profile; he stands motionless, gazing at Vlada just off-camera. His expression is composed and calm, with a subtle softness around the eyes, and he is not smiling. Late-afternoon Mediterranean sunlight creates a very soft, directional rim light along his hair and shoulder, while his face remains evenly illuminated by natural reflected light. The background features dark Mediterranean greenery and the light-colored architecture of a villa, rendered in a soft, natural bokeh. Hasselblad X2D 100C look, 85mm lens, eye-level shot, subtle focus refinement, medium-format rendering, enhanced micro-contrast, realistic skin texture, understated cinematic fashion photography, muted charcoal-black and stone-green palette, soft highlight roll-off. No orange skin, no distorted blacks, no dramatic shadows, no plastic-looking skin, no logos, no excessive retouching, no grain.SHOT 04 • VLADA / THE SHIFT00:06.5–00:08.5A high-end cinematic fashion portrait of the same Vlada—featuring her identical face, light green eyes, porcelain-beige skin, long dark soft-wavy hair, and natural makeup. Vlada is now dressed in an evening/personal look: a very simple, long, deep emerald silk slip dress with spaghetti straps, an elongated flowing silhouette, and a softly draped neckline—precisely mirroring the clean, minimalist silhouette of the approved initial reference model. The dress is made of luxurious, fluid silk with subtle natural folds, devoid of lace, embroidery, lingerie details, or decorative hardware; she wears minimalist gold earrings. A three-quarter close-up portrait set on a French Riviera villa terrace at the onset of sunset. Vlada stands by an open door, relaxed, slowly turning her head toward Mattia; her expression is calm and intimate—not seductive—as if the workday has quietly come to an end. A soft Mediterranean breeze stirs a few strands of her dark hair, creating subtle movement in the silk. Low, warm sunlight creates a gentle rim-light effect around her hair and shoulders, while reflected neutral light preserves the natural look and detail of her skin. The background features the softly blurred Mediterranean Sea and pale stone structures. Rendered on a Hasselblad X2D 100C with an 85mm lens; eye-level shot with very slight lateral movement; shallow, realistic depth of field; refined editorial realism. A blackened emerald hue is visible only where the silk catches the light; otherwise, it appears almost black. No bright green, no orange skin tones, no yellowish cast, no muted blacks, no theatrical lighting, no logos, no lace, no excessive retouching, and no grain.SHOT 05 • MATTIA / BLACK00:08.5–00:10.5A close-up shot in the style of high-end cinematic fashion photography: the same character, Mattia (featuring recognizable facial features, striking blue-gray-green eyes, a short, textured dark haircut, a natural warm beige skin tone, a defined jawline, light stubble, and distinctive blackwork tattoos). Mattia wears his signature look: a loose black silk shirt that drapes softly over his frame, with the top buttons undone and sleeves slightly rolled up; the ensemble is completed by classic black trousers, a silver watch, and his familiar silver rings. A half-turn, waist-up portrait; the subject stands on the same French Riviera terrace as Vlada, his head turned slightly toward her, his expression calm and deeply focused, without a smile. Low-angle Mediterranean sunset light creates a subtle, warm rim light on his hair and shoulder, while soft reflected light illuminates his face, preserving a natural look and fine skin texture. The background features the sea, Mediterranean vegetation, and the villa's light-colored walls, all heavily yet naturally blurred. The image is captured with a Hasselblad X2D 100C (medium format) camera and an 85mm lens; the camera is at eye level with a very slow zoom-in, maintaining a visual style consistent with previous shots; there is a soft transition from light to shadow, controlled contrast, and a natural rendering of the black fabric's texture and the silk's realistic sheen. No crushed deep shadows, no orange skin tones, no yellow cast, no leather textures, no logos, no excessive dramatization, no artificial-looking skin, no grain.SHOT 06 • THE HAND00:10.5–00:12.5A cinematic, fashion-style shot: an extreme close-up capturing the moment of first physical contact between Mattia and Vlada. The frame reveals only their hands, a fragment of Vlada’s dark emerald silk dress, and part of Mattia’s black silk shirt. Mattia’s hand displays bold blackwork tattoos, signature silver rings, and a glimpse of a silver watch. Vlada’s hand features a natural porcelain-beige skin tone and is adorned with delicate, minimalist gold jewelry. Mattia’s fingers gently find and touch Vlada’s—an intimate, restrained gesture rather than a firm grasp. The black tattoos, silver, natural skin, and dark emerald silk form the composition's focal point. A macro shot focused on detail; the hands are positioned naturally within a 9:16 vertical frame, with ample "air" (negative space). Soft side-lighting from the sunset delicately highlights the textures of the tattoos, rings, and silk while preserving the skin's natural quality. The background dissolves completely into a soft bokeh that evokes the atmosphere of a Mediterranean twilight. Captured with a Hasselblad X2D 100C (medium format) camera and a 100mm macro lens; the camera is positioned at hand level; the composition is nearly static yet conveys a subtle sense of forward movement; featuring realistic optical depth of field, refined micro-contrast, soft highlight transitions, and the exquisite realism characteristic of high-end fashion photography. No bulging veins, distorted or extra fingers, "plastic" skin, excessive jewelry, orange skin tones, loss of detail in the shadows, artificial bokeh, logos, or digital noise.SHOT 07 • VLADA / CLOSER00:12.5–00:14.5A cinematic close-up fashion portrait of the model Vlada (featuring distinctive facial features: light green almond-shaped eyes, porcelain-beige skin with realistic texture, long dark soft-wavy hair, and natural, understated makeup). She wears a deep emerald silk slip dress with spaghetti straps and a clean, minimalist cut, along with simple gold earrings. Vlada turns her face slightly toward Mattia, who is just out of frame. Her expression is trusting and emotionally open yet restrained; her gaze is fixed on him rather than the camera, and a subtle shift in her breathing is revealed only by the softness of her features. A few dark strands of hair sway gently in the Mediterranean breeze. Warm, low-angle sunset backlighting outlines her hair, while soft, neutral reflected light gives her skin a natural glow. The background features the Mediterranean Sea and sky, blurred into a very soft, natural bokeh. The image has the aesthetic of a Hasselblad X2D 100C shot, captured at eye level with a 100mm lens (macro/portrait) and a subtle zoom-in effect; it features a shallow, physically accurate depth of field, natural skin texture with visible pores, and a muted twilight color palette. There are no seductive poses or exaggerated expressions; the image is free of orange or yellow skin tones, crushed shadows, excessive beauty retouching, grain, or artificial lens flares.SHOT 08 • ALMOST KISS00:14.5–00:16.0A cinematic, high-end fashion style shot: a close-up of two subjects, Mattia and Vlada; their appearances—facial features, proportions, hairstyles, and skin tones—are perfectly preserved and identical to previous frames. Vlada wears a deep emerald silk slip dress with delicate straps and minimalist gold earrings. Mattia wears a loose-fitting black silk shirt with the top buttons undone, classic black trousers, a silver watch, and the silver rings seen previously. Their faces are captured in a three-quarter view close-up, positioned just centimeters apart with their noses almost touching—freezing the moment right before a kiss. Mattia leans slightly toward Vlada, while she remains nearly motionless, lifting her face only slightly to meet him. Neither looks at the camera. Their expressions are calm and intimate, radiating deep closeness without a hint of contrived seduction. Low-angle Mediterranean sunset light creates a subtle halo around their hair, while soft reflected light preserves facial detail and natural skin tones. The sea in the background dissolves into an atmospheric backdrop of soft blue and gold hues. Shot on a Hasselblad X2D 100C with an 85mm lens at eye level; a virtually static frame with barely perceptible forward movement, a shallow yet realistic depth of field, the elegant spatial compression characteristic of medium-format cameras, and soft highlight transitions; a muted palette of emerald-black, charcoal-black, and twilight tones. No orange skin tones or yellowing, no harsh highlights, loss of detail in the shadows, exaggerated romantic poses, anatomical distortions, or digital noise.SHOT 09 • THE KISS00:16–00:18.8Create a single, continuous 5-second cinematic shot in the style of a fashion film featuring Mattia and Vlada in Nice, on the French Riviera, at sunset; capture one unbroken, intimate physical interaction rather than a sequence of separate poses. MATTIA: European, approx. 33 years old, tall, lean, athletic build, strong masculine features, short dark textured hair, warm natural beige skin, striking blue-grey-green eyes, defined jawline, straight nose, light natural stubble, distinctive heavy blackwork tattoos with decorative botanical elements on his arms; dressed in a loose black silk shirt and black tailored trousers, wearing a silver watch and existing silver rings. VLADA: Young European woman, approx. 25 years old, tall, slender, elegant figure, porcelain-beige skin with a subtle natural texture and a light flush, light green almond-shaped eyes, refined facial features, straight slender nose, naturally full lips, long dark hair with soft natural waves, understated natural makeup; wearing a very simple, long, deep emerald silk slip dress with thin straps and minimalist gold earrings. They are standing very close together on the terrace of a Mediterranean villa overlooking the sea; warm late-sunset light, the muted color palette of the Côte d'Azur, a soft blue-and-gold sky, and natural bokeh of the sea and villa in the background. The action must be spontaneous, tactile, and emotionally authentic. At the start, Mattia slowly raises his tattooed hand and gently touches Vlada’s cheek; his fingers move naturally from behind her ear to the back of her head. Vlada subtly turns her face toward his palm, maintaining eye contact and leaning in without striking a pose. He gently draws her closer. She raises her hand to his neck and slightly lifts the fabric of his black silk shirt. Their faces naturally draw near, almost touching for a moment, before they share a long, sincere kiss. The kiss is soft and instinctive—neither theatrical nor overly passionate. His thumb remains on her cheek, while her fingers lightly touch his neck. After the kiss, they pull back just a few centimeters, maintaining physical contact and feeling each other's breath—their foreheads almost touching; Vlada opens her eyes and looks at Mattia, and he returns her gaze. Their bodies remain relaxed and naturally close throughout the shot. Camera: high-end European fashion film style; intimate 85mm lens aesthetic; eye-level perspective; shallow yet physically realistic depth of field; subtle handheld micro-movements and organic reframing that follows their motion; no abrupt camera sweeps or artificial orbiting. Natural side-lighting from the sunset with soft reflected fill light; realistic skin texture and distinct rendering of individual hair strands; physically accurate movement of the silk and fabric folds where their bodies touch. Smooth transitions between light and shadow, muted cinematic color grading, refined realism reminiscent of high-end glossy magazines, understated luxury, and sensuality. The emotional tone is not one of seduction, but rather the moment two people finally allow themselves to touch after a long period of emotional restraint. The camera is close enough to witness an intimate moment without intruding upon it. Precise fidelity to facial features, body proportions, hairstyles, eye color, tattoos, clothing, and overall visual integrity must be maintained. No posing, looking at the camera, staged romance, theatrical kissing, abrupt movements, slow-motion effects, hands "floating" in mid-air, anatomical distortions, duplicated fingers, alterations to faces or clothing, artificial gloss, orange skin tones, yellowing, loss of detail in shadows, excessive film grain, artificial lens flares, CGI effects, or "plastic" skin.SHOT 10 • AFTER00:18.8–00:21A cinematic close-up shot (featuring both subjects) in a high-end fashion style: Mattia and Vlada are captured just after a kiss, maintaining perfect consistency in their appearance, facial proportions, hairstyles, skin tones, tattoos, and clothing. Vlada wears a deep emerald silk slip dress and minimalist gold earrings; Mattia wears a loose black silk shirt, classic black trousers, a silver watch, and his signature silver rings. They have just pulled a few centimeters apart but remain in close proximity. Vlada looks directly into Mattia’s eyes with a quiet, subtle smile, while he returns her gaze with a calm, gentle look; his tattooed hand still softly touches her face or neck. Their posture is relaxed and unforced, conveying deep intimacy rather than sudden passion. The last warm rays of the setting sun highlight the contours of their faces and hair, while soft reflected light preserves natural skin detail and prevents shadows from crushing into pure black. The background features the same French Riviera terrace and the sea; the lighting is transitioning into the "blue hour," with the background softly blurred. Visual style of the Hasselblad X2D 100C, 85mm lens, eye-level shot, nearly static frame with a barely perceptible slow pull-back; characteristic medium-format spatial compression, natural skin texture, precise contrast, and smooth highlight roll-off; a color palette of muted blacks, deep emeralds, and twilight hues. No exaggerated smiles, seductive poses, orange skin tones, loss of detail in the shadows, dramatic lighting, artificial beauty retouching, or grain.SHOT 11 • MAISON NOIR00:21–00:24Create a sophisticated high-end cinematic fragrance hero shot for MAISON NOIR, UNSEEN, VOL. 02, designed as the final frame of an intimate European fashion editorial film. A minimal architectural perfume bottle made of deep smoked black glass stands alone on a refined dark natural stone surface at Mediterranean dusk on the Côte d’Azur. The bottle is elegant, tactile and understated, with substantial realistic glass thickness, subtle natural refraction and physically believable reflections. Its design is minimal, contemporary and luxurious, with no decorative excess. The bottle is the absolute hero of the composition.The glass subtly catches the visual memory of Vlada: an extremely delicate reflection of blackened deep emerald silk, almost invisible in the darker areas of the bottle, becoming visible only where the fading light touches the glass. Within the glass and across the polished stone surface there is an almost imperceptible abstract reflection suggesting Mattia and Vlada standing very close together after their kiss. Their presence must remain ambiguous and out of focus, with no recognizable faces and no literal portrait reflection, as if the bottle has captured something the camera was never supposed to see. The reflection should feel poetic, accidental and private, not like a staged product photograph with people in the background.The surrounding atmosphere gradually transitions from deep charcoal black into blackened deep emerald and muted Mediterranean dusk. A very restrained final trace of warm sunset light touches one edge of the bottle, while the rest of the illumination remains cool-neutral and sophisticated. Preserve complete shadow detail and subtle tonal information inside the dark glass and black stone. No crushed blacks. The deep emerald must remain almost black, never bright or jewel-like.Composition for a vertical 9:16 luxury campaign frame. The bottle occupies approximately 35–40 percent of the frame, positioned slightly below the vertical center with generous refined negative space surrounding it. Camera at bottle level, slightly frontal three-quarter angle, elegant symmetrical editorial balance with a very subtle asymmetry in the reflection. Hasselblad X2D 100C medium-format aesthetic, 85mm macro-like lens, physically realistic shallow depth of field, refined micro-contrast, natural optical rendering, soft highlight roll-off, controlled tonal range, realistic glass refraction and sophisticated European niche fragrance photography.The visual language must remain consistent with the previous Mattia and Vlada frames: muted Côte d’Azur palette, natural materials, restrained luxury, cinematic realism, intimate atmosphere, sophisticated fashion editorial rather than conventional commercial advertising. The final image should feel quiet, mysterious and emotionally charged without becoming dramatic.On the front of the bottle, render only the following exact understated typography, physically printed onto the glass and perfectly centered: “MAISON NOIR” on the first line, “UNSEEN” on the second line, “VOL. 02” on the third line. Use refined minimalist uppercase typography with elegant proportions, subtle scale hierarchy and discreet spacing. The lettering must look physically printed or etched into the bottle, not digitally floating in the scene. No other text anywhere in the image.No people in focus, no visible faces, no hands, no flowers, no additional props, no jewelry, no smartphone, no logos other than the fictional MAISON NOIR branding, no bright green, no bright red, no orange, no yellow cast, no orange skin, no plastic glass, no CGI appearance, no excessive reflections, no artificial lens flare, no excessive bloom, no crushed black shadows, no dramatic spotlight, no excessive grain, no film-noise overlay, no artificial bokeh shapes, no decorative perfume-ad clichés.06–10 • PHYSICAL ARC00:10.5–00:15.5 • THE MOMENT THEY STOPPED HOLDING BACK0:00–0:01Маттиа уже рядом. Его рука медленно поднимается к лицу Влады. Он касается её щеки. Влада не смотрит в камеру, только на него. Она слегка поворачивает лицо в его ладонь.0:01–0:02Его пальцы скользят за её ухо, к затылку. Влада делает очень небольшой шаг/наклон к нему. Между ними остаётся несколько сантиметров. Они задерживаются на мгновение.0:02–0:03.5Маттиа мягко притягивает её к себе. Влада поднимает руку к его шее. Они целуются. Поцелуй короткий, естественный, не постановочный. Тела слегка соприкасаются.0:03.5–0:04.5Поцелуй продолжается ещё мгновение. Его большой палец остаётся на её щеке. Её пальцы слегка сжимают ткань его чёрной шёлковой рубашки у шеи.0:04.5–0:05Они медленно отстраняются буквально на несколько сантиметров, но не расходятся. Лбы почти соприкасаются. Влада открывает глаза и смотрит на него. Маттиа смотрит на неё.И затем cut.Это уже не «кадр с поцелуем». Это микросцена отношений.