6-second video. Strictly do not alter the design. Shot on a JVC GR-DV2000 MiniDV camcorder. No text, letters, captions or watermarks in the image, no distortions. Natural, realistic movements. Do not alter the style of the image. Audio: only diegetic scene sounds, no music.Preserve exactly the character and setting from the reference image: a pope seen from behind, standing in the center aisle of a dark ornate baroque chapel, wearing a long pale cream cassock with a short shoulder cape and a pale skullcap, the fabric heavily splattered and stained with red liquid. In front of him, a dark carved altar with a large candelabra holding many glowing red-pink flames. Dark wooden pews with red cushions on both sides, narrow green-lit windows on the left and right walls, a glossy teal floor with a pool of red liquid spreading around his feet. Keep the same green and red-pink color cast, symmetrical composition, lighting, depth of field, soft texture and analog softness of the original image throughout.GRAIN: Use the exact grain already present in the reference image and animate it like old motion picture film stock. The grain is alive and constantly moving, crawling and flickering frame by frame, randomly redistributed on every frame, with organic clumps, slight density pulsing and subtle brightness flicker, like a worn projected film print. Keep the same grain size, intensity and color as the original image, visible over the whole frame including the robe, the altar and the dark areas. The grain must never freeze, smooth out or disappear, and must never become digital noise or blocky compression artifacts.SHOT 1 (0s–2.5s): Centered symmetrical framing as in the reference, handheld camera trembling nervously, performing a slow dolly zoom in: the camera pushes forward down the aisle while the lens zooms out, so the pope stays the same size while the altar, candelabra and pews behind him stretch and warp in perspective. The pope slowly raises his open arms higher, palms up, in a solemn ritual gesture, the heavy robe and cape folding naturally. The candle flames flicker, sway and pulse with real movement. The pool of red liquid on the glossy floor slowly expands outward around his feet, reflecting the green and red lights.HARD CUT.SHOT 2 (2.5s–4.5s): Close-up with a strong diagonal dutch angle, handheld with micro-tremors. The pope's pale hands and blood-stained cream sleeves hold an antique ornate silver pitcher, tilting it to pour a thick dark red liquid that looks like blood into an antique silver chalice encrusted with red gemstones. The liquid flows in a smooth, heavy stream and fills the chalice, small drips running down the silver. Candle flames blurred in the background. His face is never shown.HARD CUT.SHOT 3 (4.5s–6s): Back to the centered wide shot from behind, handheld and trembling, continuing the slow dolly zoom in. The pope stands with his arms raised wide, the candle flames flickering behind him, the red pool still expanding across the glossy floor toward the pews.Audio: large reverberant chapel ambience, deep stone silence, soft crackle and flutter of the many candle flames, heavy rustle of the stiff robe as the arms rise, a slow wet spreading sound of the red liquid on the floor, then the thick liquid pouring from the pitcher into the chalice with a dense gurgle, faint metallic clink of silver against silver, slightly saturated through the camcorder's built-in microphone. No music, no voices.Realistic anatomy, natural human movement, no morphing, no extra hands or fingers, consistent robe, stains, pitcher and chalice across all shots, consistent animated film grain across all shots.