/film-skill STYLE: Psychological liminal horror, Backrooms-inspired architecture, surreal European art-house atmosphere, oppressive symmetry, deadpan surrealism, paranoid 1970s/1980s psychological-thriller cinematography. Do not directly copy any existing movie, director, soundtrack, or copyrighted scene. Analog 35mm/16mm texture, cyan-green fluorescent shadows, intense yellow practical lighting, film grain, halation, soft focus, chromatic aberration, dirty lens, realistic imperfections.0–5 SEC — YELLOW ROOMExtreme close-up of the woman's face.She stares directly toward camera, breathing slowly. Her wet skin reflects flickering yellow fluorescent light. Deep yellow light pulses behind her.The camera makes an almost imperceptible push-in.A fluorescent light suddenly shuts off.Sound: electrical hum, breathing, distant ventilation.5–10 SEC — THE DOORHard cut to a perfectly symmetrical yellow Backrooms-like corridor.She walks toward a single yellow door.She opens it.Inside is the exact same corridor.She slowly closes the door.When she turns around, the corridor behind her has become twice as long.A distant fluorescent light switches off.Then another.Then another.Sound: footsteps with unnatural reverberation; lights clicking off behind her.10–16 SEC — THE TRAPHandheld camera follows as she runs.She enters an old elevator.The doors close.Extreme close-up of the floor indicator:B1 — B2 — B3 — B4 — B∞The elevator stops.Silence.The doors open.She is back in the original yellow and black room.But now there are three identical empty black chairs behind her.One chair slowly rotates toward camera by itself.16–22 SEC — IMPOSSIBLE ESCAPEShe runs through a sequence of impossible rooms, each transition occurring through a doorway:yellow office → flooded concrete tunnel → yellow and black hotel corridor → sterile yellow room.The camera moves backward in front of her.At the end is a glowing exterior door.She reaches it and violently pulls it open.Bright daylight floods the lens.For a moment, everything becomes peaceful.22–27 SEC — FALSE FREEDOMShe steps outside.A completely ordinary empty street.Natural daylight.Wind.Silence.She looks relieved.Then she notices the buildings on both sides are repeating infinitely into the distance.She looks behind herself.The doorway she escaped from is now standing in the middle of the street.27–30 SEC — FINAL REVEALSlow push toward her face.She looks directly into camera.Her expression changes from relief to absolute realization.Behind her, an impossibly long yellow fluorescent corridor gradually appears where the street should be.The lights flicker on one by one toward her.CUT TO BLACK.One second of silence.Then a single fluorescent CLICK.FINAL AUDIO: no recognizable existing movie soundtrack. Use an original sound design inspired by vintage psychological horror: low electrical drones, fluorescent buzzing, distant footsteps, room-tone distortion, detuned sustained strings, deep sub-bass pressure, sudden silence, and an unnaturally close breathing sound.CAMERA: 1.33:1 aspect ratio, 24fps, vintage film texture, shallow depth of field for close-ups, wide-angle distortion in corridors, locked symmetrical compositions changing into frantic handheld movement during the escape.COLOR: sickly yellow/black fluorescent interiors, deep yellow rooms, black highlights, black shadows, desaturated daylight during the false escape.MOOD: disturbing, claustrophobic, dreamlike, existential, mysterious, genuinely unsettling. No gore. No conventional jump scare. The building itself should feel alive and intelligent.KEY GENERATION INSTRUCTION: Maintain strong visual continuity of the protagonist across all shots. Make the architecture physically impossible but photorealistic. The viewer should never understand whether she escaped or simply entered another layer of the Backrooms.