Image 1 is the primary visual reference. Use it only to define the colossal mining mech’s design, weathered green-and-orange armor, mechanical proportions and equipment; the smaller mining convoy; the flying-predator species; and the lush alien canyon, river, floating mountains, daylight, atmosphere and enormous scale. Do not treat Image 1 as a locked first frame or copy its exact composition throughout.

Generate a 30-second photorealistic science-fiction action sequence with 15 distinct shots and forceful hard cuts. The mech protects the convoy from a predator swarm, suffers critical damage, then converts its mining equipment into a sonic weapon. Damage and positions persist between shots without resetting.

0.0–1.2s — Extreme close-up: A predator crashes into the mech’s shoulder beside the camera. Claws grind across armor, throwing sparks past the lens. <Explosive metal impact, grinding claws, violent shriek.> Hard cut on impact.

1.2–2.5s — Sensor close-up: The mech’s optical sensor snaps toward the attacker; lenses rotate and red targeting lights ignite. <Servo snap, targeting chirps, close shriek.>

2.5–4.5s — Aerial extreme wide: A dense swarm erupts from both canyon walls and converges on the mech and convoy. Show six readable foreground attackers with the larger swarm in the distance. <Canyon-filling wingbeats and distant alarms.>

4.5–6.5s — Heroic low angle: The mech stomps between the swarm and convoy, raising both arms as shields. Water and stones explode outward. <Colossal footfall, hydraulic locks, vehicle alarms.>

6.5–8.5s — Fast lateral tracking: Predators strike from alternating sides while the mech deflects them with short, heavy movements. New scratches and dents remain afterward. <Spatial wing cracks, armor hits, piston bursts.>

8.5–10.5s — Ground-level convoy shot: A predator dives toward the lead vehicle. The mech’s enormous hand catches it inches above the vehicle. <Approaching scream, bass-heavy catch, bending metal.>

10.5–12.5s — Dynamic orbit: The mech spins and throws the captured predator into three attackers, sending them crashing through alien foliage. <Servo acceleration, wing collisions, splintering vegetation.>

12.5–14.5s — Upward wide: A much larger alpha predator descends from the clouds, blocks the sun and dives. It has dark scarred wings and a horned head; preserve this design afterward. Music and swarm noise suddenly stop. <One enormous wingbeat and descending pressure rumble.>

14.5–16.5s — Mechanical close-up: The alpha tears a glowing power module from the mech’s shoulder. Cables snap, electricity erupts and the right arm loses power. <Ripping steel, electrical scream, machinery failure.>

16.5–18.5s — Wide: The mech collapses onto one knee. Its lights shut down sequentially while the damaged arm hangs powerless and the convoy remains exposed behind it. <Engine shutdown, river impact, sparse warnings, circling wings.>

18.5–20.5s — Three-shot macro montage with hard cuts: An emergency capacitor slams into place; shoulder panels unfold into acoustic emitters; mining-siren turbines begin rotating. <Heartbeat-like thump, locking bolts, rising turbine whine.>

20.5–23.5s — Symmetrical rear wide: The swarm forms a dense aerial funnel and dives. The mech rises, braces in the river and shields the convoy, supporting its disabled arm with the powered arm. <Accelerating wings, rising sub-bass and turbine pitch.>

23.5–26.0s — Sensor close-up: The approaching alpha and swarm reflect in the glowing lens. Energy builds while water, dust and leaves vibrate. At 25.5 seconds, remove all sound for half a second.

26.0–28.5s — Canyon-wide shot: The mech releases a spherical sonic pulse. Air distorts, the river erupts and the swarm parts around it in a perfect expanding ring. The creatures are stunned, not destroyed; the convoy remains protected. <Monumental pressure blast, sub-bass, water eruption and long canyon echo.>

28.5–30.0s — Locked close-up: Droplets and leaves fall in slow motion. The alpha hovers face-to-face with the mech. Its damaged sensor flickers, then reignites orange. Cut to black. <One slow wingbeat, sensor ignition, then one answering alpha click after the cut.>

Use cinematic realism, immense scale, believable mechanical weight, realistic flight, volumetric daylight and atmospheric depth. Alternate close-ups, ground-level angles, dynamic tracking and canyon-wide views. Use hard cuts only—no dissolves, fades or morphs.

Let machinery, wings, impacts and canyon reverberation drive the rhythm. Use minimal low percussion. Preserve the two silence events: the alpha’s arrival and the half-second before the sonic pulse. No dialogue, subtitles, logos or watermarks.

Keep one continuous mech and the same convoy. Preserve accumulated damage, vehicle positions, daylight direction and canyon geography. Keep all creatures within one species. Do not duplicate subjects, repair damaged parts, teleport objects or obscure readable action with excessive debris.