@Image1 — STRICT CHARACTER AND FACE REFERENCE.Preserve the exact same female model throughout the entire video: identical face, facial proportions, eyes, nose, lips, jawline, pale skin, freckles, platinum-blonde blunt bob haircut, straight fringe, hairstyle and distinctive facial features. No identity drift, no face morphing, no beautification, no age change.@Image2 — EXACT LOOK 01 REFERENCE.Use this image as the precise wardrobe reference for the mustard-gold hand-knitted cable-knit turtleneck look. Preserve the exact cable pattern, stitch construction, yarn texture, colour, proportions, silhouette, brown wide-leg trousers, long brown leather gloves and belt.@Image3 — EXACT LOOK 02 REFERENCE.Use this image as the precise wardrobe reference for the burgundy/red hand-knitted sweater look. Preserve the exact knit construction, white knitted rope-like details, colours, proportions, white cargo trousers, belt and brown leather bag.@Image4 — EXACT LOOK 03 REFERENCE.Use this image as the precise wardrobe reference for the black-and-cream hand-knitted sweater with long cream fringe and black sheer skirt. Preserve the exact geometric knit pattern, red accents, fringe structure, yarn texture, skirt and silhouette.@Image5 — EXACT LOOK 04 REFERENCE.Use this image as the precise wardrobe reference for the black-and-cream patterned hand-knitted sweater with oversized black fur collar, black pom-pom details, sheer geometric skirt and black pointed boots. Preserve the exact knit pattern, fur volume, garment proportions and silhouette.FORMAT:9:16 vertical.20 seconds.Photorealistic cinematic fashion film.CORE VISUAL CONCEPT:Recreate the visual grammar and camera choreography of the supplied reference video.A woman is lying on an ornate vintage Persian-style rug in a dark sophisticated interior. The camera is positioned directly above her, looking vertically downward in a high-angle overhead shot.The camera remains almost completely fixed throughout the entire video.The composition is intentionally viewed through foreground furniture: large dark wooden furniture elements and diagonal wooden bars partially obstruct the camera's view of the woman. These foreground elements are close to the lens and heavily out of focus, creating a voyeuristic, cinematic feeling of watching the woman through the structure of the room.The foreground obstruction is an essential part of the composition and must remain present throughout the video.The woman remains centered on the rug.The rug, dark wooden floor, dark burgundy upholstered furniture and warm interior atmosphere remain visually consistent throughout the entire video.LIGHTING:Warm cinematic interior lighting.Soft warm sunlight enters from one side of the room and creates irregular bright patches across the rug and parts of the woman's body and clothing.Deep natural shadows remain in the surrounding room.The overall palette is warm, muted and sophisticated: dark wood, burgundy upholstery, antique rug colours and warm golden highlights.Strong but natural contrast.No white studio.No clean fashion backdrop.No daylight exterior.No cold blue lighting.No changing locations.CAMERA:Locked overhead camera.Almost perfectly vertical top-down composition.No camera rotation.No handheld movement.No camera travel.No zoom.No dramatic reframing.The camera behaves like a hidden camera positioned above the room.Foreground furniture remains close to the lens and softly blurred.The model and rug remain the sharp visual centre.The depth created by the blurred furniture in the foreground is essential.ACTION AND EDITORIAL RHYTHM:The video should feel like one continuous cinematic overhead fashion sequence rather than a conventional fashion catwalk.The woman lies on the rug in different relaxed editorial poses.She makes small, natural movements between looks:subtle movement of arms,small changes of head position,slight repositioning of legs,a controlled shift of the torso,small changes of posture.No dancing.No walking.No exaggerated acting.The movement should feel effortless, elegant and slightly mysterious.LOOK 01 — approximately 0–4 seconds:The woman lies on the rug wearing LOOK 01 from @Image2.Start with a partially obstructed overhead composition.She slowly moves one arm and slightly changes her head position.The camera remains locked.The mustard-gold cable knit is clearly visible through the foreground obstruction.The knit must remain extremely detailed and physically realistic.LOOK TRANSITION:Create the wardrobe transition using the foreground furniture obstruction and the woman's natural movement.When the dark wooden foreground element passes across or visually blocks the central part of the frame, use this moment as a hidden editorial transition.Do NOT morph the sweater.Do NOT generate a visible transformation of the garment.The clothing changes during an occluded transition.LOOK 02 — approximately 4–8 seconds:Reveal the same woman in LOOK 02 from @Image3.She remains lying on the same rug in the same room and under the same lighting.Her pose changes subtly: one arm moves toward the body and the legs shift slightly.The camera remains fixed.The foreground furniture remains blurred and partially obscures her.The burgundy/red knitwear and white knitted details must remain exact and sharply defined.Second hidden transition through the foreground obstruction.LOOK 03 — approximately 8–12 seconds:Reveal LOOK 03 from @Image4.The woman remains in the same overhead environment.She makes a slightly larger but still elegant change of pose, gently turning her shoulders and repositioning one leg.The long cream fringe responds naturally to gravity and the movement of the body.The fringe must behave as real yarn fibres, with individual strands moving independently and settling naturally.The black-and-cream geometric knit pattern remains exact.The camera remains locked overhead.Use another brief foreground occlusion to hide the wardrobe transition.LOOK 04 — approximately 12–16 seconds:Reveal LOOK 04 from @Image5.The woman remains lying on the same rug.She makes a subtle controlled movement, slightly turning her face toward the camera and repositioning one arm.The oversized black fur collar moves naturally with the body and settles.The black-and-cream knitted pattern remains perfectly stable.The sheer skirt moves naturally with gravity.The lighting and composition remain identical.FINAL SEQUENCE — approximately 16–20 seconds:Hold LOOK 04 longer.The woman slowly becomes almost completely still.She looks upward toward the camera with a calm, slightly enigmatic expression.The overhead composition becomes the strongest hero image of the sequence.The foreground dark wooden structure continues to frame and partially obscure the model.Allow a subtle natural movement of the hair, clothing and fur collar.End on a powerful cinematic overhead fashion image.No text appears at any point.NO TEXT.NO LOGO.NO BRAND NAME.NO CAPTIONS.NO SUBTITLES.NO GRAPHICS.NO WATERMARK.KNITWEAR PRESERVATION — HIGHEST PRIORITY:The garments are real handcrafted luxury knitwear designs.Preserve every garment exactly as shown in the supplied references.Preserve:exact stitch structure;individual stitches;cable geometry;knitted relief;yarn fibre texture;colour;pattern;garment construction;silhouette;fit;sleeve shape;neckline;hemline;fringe placement;fringe density;fur collar volume;pom-pom placement.The knitwear must look genuinely hand-knitted and tactile.Visible individual stitches.Visible yarn fibres.Three-dimensional knitted relief.Natural material response to light.Never turn the knitwear into smooth fabric.Never make it look like plastic, CGI, rubber, velvet or synthetic fabric.No melted stitches.No blurred knitting.No simplified patterns.No invented patterns.No changing colours.No changing garment proportions.No wardrobe mixing.FACE AND CHARACTER PRESERVATION:The exact same woman remains throughout all four looks.No face replacement.No facial morphing.No different model.No changing eye colour.No changing hairstyle.No changing facial proportions.No age change.Her platinum-blonde bob and straight fringe remain consistent.MOTION:Natural human movement.Subtle editorial posing.Realistic gravity.Realistic fabric physics.Realistic fringe physics.Realistic fur physics.Realistic hair movement.No exaggerated body movement.No dancing.No walking.No unnatural limbs.No sudden pose changes.No impossible body positions.VISUAL QUALITY:Photorealistic.Cinematic.Premium fashion editorial.Natural skin texture.Subtle film grain.Shallow depth of field on the foreground furniture.Sharp subject.Warm cinematic colour grading.Realistic shadows.Realistic material response.The final result should feel like a sophisticated fashion campaign shot from directly above, secretly observed through the furniture of a dark elegant room.IMPORTANT:Do not reproduce any text, logos or social-media overlays from the reference video.The supplied reference video is used only for its visual choreography, overhead composition, foreground obstruction, lighting atmosphere, pacing and wardrobe-transition technique.Do not copy its clothing, branding or text.