Use Input Image 1 as the factual craft reference and transformation source. Use Input Images 2 only as visual language and composition references for scale relationships, negative space, material-driven forms, and editorial poster structure. Do not copy any existing composition directly.

Output: high-resolution PNG poster, modern editorial craft exhibition style, designed for AI creativity platform users and diorama fans.

Aspect Ratio: 9:16 vertical composition

Prompt:

Create a contemporary cultural exhibition poster transformed from Input Image 1, preserving the essential craft subject matter, tools, pigments, and handmade-material authenticity from the source image while reinterpreting them into a large-scale editorial visual system.

Scene Structure: The poster should unfold in the following visual reading order:

intentional negative space → expansive chromatic structure → material texture → micro-cultural scene → craft gestures → typography

Overall Composition: Use a warm ivory handmade-paper background with visible paper fibers and matte texture. Leave approximately 45%–60% negative space. The composition must feel calm, spacious, and museum-editorial rather than commercial.

The dominant visual should emerge from the craft materials found in Input Image 1: mineral pigments, gilding fragments, brushes, powdered color samples, manuscript ornamentation, and handmade paper textures. Transform these into one monumental macro-structural color form occupying the upper or central area of the poster.

Macro-Structural Form: Construct one large-scale chromatic structure inspired by illuminated manuscript decoration and mineral pigment preparation. The form should resemble flowing gilded filigree, spiraling pigment currents, layered mineral sediment, manuscript flourishes, fiber bundles, or expanding pigment halos.

The structure must appear materially believable:

visible handmade paper fibers watercolor and mineral pigment granulation matte pigment deposits natural deckled transitions gold-leaf-like edges with restrained metallic texture subtle pulp particles layered brush absorption marks Avoid artificial digital gradients or glossy CGI rendering.

Color System: Primary palette: deep ultramarine blue, lapis lazuli blue, oxidized teal, muted gold, parchment ivory, warm mineral beige

Color behavior: low saturation overall, rich mineral density, soft transitions, no neon colors

Micro-Cultural Scene: Integrate tiny human figures near the lower section of the poster, occupying only 3%–5% of the frame. The figures should depict artisans preparing pigments, illuminating manuscripts, grinding minerals, applying gold leaf, or arranging brushes and pigments inspired by Input Image 1.

The figures must be:

2D hand-painted illustration style light wash rendering simplified facial features flat color blocks sparse continuous fabric lines subtle volume only Avoid: photoreal humans, cinematic shadows, 3D miniatures, dollhouse aesthetics, CGI lighting, realistic skin texture.

Scale Connector: A clear material bridge must connect the tiny artisan activity to the monumental form above. For example:

pigment powder dispersing into vast blue spirals gilded manuscript lines expanding into giant ornamental curves brush traces evolving into structural color fields paper fibers magnified into architectural flows This connector must have a visible origin and destination and should feel physically continuous.

Typography: Place elegant small-scale typography within the negative space.

Main title: “MINERAL ILLUMINATION”

Subtitle: “Pigments, Gold Leaf, and Manuscript Ornament”

Typography style: modern Garamond-inspired serif, refined spacing, understated hierarchy, dark mineral-gray ink color

Important:

all text must be sharp and legible no extra text no logos no watermark no random numbering Visual Tone: The final image should feel like a sophisticated Western editorial exhibition poster merging craft anthropology, material studies, manuscript culture, and contemporary graphic design.

The poster must read as a bold abstract form from afar, while revealing intricate fibers, pigments, artisan gestures, and cultural narratives upon close inspection.

Strictly Avoid: oversized typography, commercial advertising layouts, rigid grids, glossy surfaces, photoreal backgrounds, fake vintage distressing, dirt overlays, random digital noise, AI glitch textures, excessive symmetry, sparkles, lens flares, mirrored surfaces, futuristic UI graphics, generic “traditional Chinese” motifs, 3D rendering, plastic textures, or floating disconnected decorative elements.