Create a photorealistic vertical poster by transforming the architecture in Input Image 1 into a hand-held architectural paper cutout, using Input Image 2 as the visual reference for the sketch's color palette, drawing style, linework, and watercolor brushstrokes. REFERENCE ROLES - Input Image 1 = PRIMARY SOURCE IMAGE. Use its actual architecture as the subject. Preserve the building's recognizable architectural identity, proportions, silhouette, major structural forms, domes, minarets, towers, walls, arches, windows, and other important architectural details. - Input Image 2 = STYLE AND PRESENTATION REFERENCE ONLY. Use ONLY the architectural sketch itself as the reference for the hand-drawn appearance, including its delicate ink outlines, watercolor washes, muted colors, fine brushstrokes, paper-cut silhouette, and overall illustrated treatment. IMPORTANT: Do NOT copy the plants, trees, surrounding landscape, postcard composition, white postcard background, or any other non-architectural elements from Input Image 2. BACKGROUND Keep the original photographic environment from Input Image 1. Blur the background with a strong but natural shallow depth of field, especially the surrounding buildings and urban environment. The background architecture should remain recognizable in its general appearance, proportions, colors, and silhouettes, but should be noticeably soft and out of focus. Retain the recognizable elements of the original location, including: - the blue sky - tram tracks - overhead tram wires - street lamps - pavement - the red-and-white tram - surrounding urban structures - general daylight and street atmosphere Do not replace the background with a different location. FOREGROUND ARCHITECTURAL CUTOUT In the foreground, a realistic human hand naturally holds a piece of paper containing a detailed architectural illustration. The paper should contain ONLY the architecture from Input Image 1. The architectural silhouette should be cleanly isolated, as though the entire building complex has been carefully cut out from a sheet of paper. The cutout should follow the outer silhouette of the architecture itself: - include the main building masses - include the domes - include the minarets - include architectural extensions that are physically part of the building - exclude trees - exclude plants - exclude surrounding landscape - exclude sky - exclude unrelated background objects Do not create a rectangular sheet of paper around the illustration. The visible shape should essentially be an irregular architectural paper cutout following the complete outer contour of the building. ARCHITECTURAL ILLUSTRATION STYLE Render the architecture using the same general visual language as the sketch in Input Image 2: - delicate hand-drawn ink outlines - fine architectural linework - subtle watercolor washes - visible natural brushstrokes - slightly imperfect handmade drawing quality - restrained, sophisticated colors - warm pale stone and beige tones - muted terracotta - soft blue-gray domes - subtle gray architectural details - gentle tonal variation - lightly textured illustrated surface The result should look like a carefully hand-painted architectural sketch rather than a digital filter applied to a photograph. ARCHITECTURAL ACCURACY The illustrated architecture must remain faithful to Input Image 1. Preserve: - the recognizable overall silhouette - the relative height and placement of the minarets - the main dome - secondary domes - major walls and structural volumes - distinctive arches and openings - important architectural details Do not redesign, simplify, modernize, or replace the architecture with another building. The sketch should clearly represent the same building visible in the blurred background. ALIGNMENT Position the hand-held architectural cutout in front of the real building so that the illustrated architecture visually corresponds with the actual landmark behind it. The viewer should immediately understand that the paper cutout is a hand-drawn representation of the same building. The real architecture behind the cutout should remain visible enough to establish this visual relationship, while the strong background blur keeps the foreground illustration as the primary focal point. HAND The hand should be photorealistic and anatomically natural. It should naturally grip the lower portion of the architectural cutout without covering important architectural details. Use realistic skin texture, fingers, fingernails, proportions, lighting, and contact shadows. The paper/cutout must appear physically held by the hand rather than digitally pasted into the image. COMPOSITION - Vertical poster composition - Photorealistic environment - Strong shallow depth of field - Architectural cutout sharply focused - Hand sharply focused - Real building softly blurred behind it - Cutout positioned approximately in the lower-middle foreground - Building remains the dominant visual subject - Natural perspective and believable scale - Clean and visually balanced composition PRESERVE AND EXCLUDE PRESERVE: - Input Image 1's location - original architectural identity - general building appearance - street environment - tram tracks - overhead wires - street lamps - red-and-white tram - natural daylight - blue sky - realistic photographic appearance EXCLUDE FROM THE TRANSFER OF INPUT IMAGE 2: - plants - trees - vegetation surrounding the building - postcard's rectangular white background - postcard border - unrelated scenery - decorative background elements - any text - logos - watermarks The only thing transferred from Input Image 2 should be the visual language of its architectural sketch: its colors, ink linework, watercolor treatment, brushstrokes, and handmade illustrated quality. FINAL RESULT The final image should look like a sophisticated architecture/travel poster: a real photograph of a historic urban street with the actual building softly blurred in the background, while a precisely shaped, hand-drawn watercolor-and-ink architectural cutout of that same building is held naturally by a hand in the foreground. The architectural cutout should look as though the building itself has been physically cut from illustrated paper. No extra text, typography, logos, captions, borders, or watermarks. Output: high-resolution PNG, vertical format.