SCENE CONTEXT An elegant young woman films herself on her phone across one evening out: a short front-camera selfie moment in a luxury hotel room, a mirror selfie in an elevator, a walk past a boutique window at dusk, and the longest part — a dim candlelit restaurant where she films her reflection in a wall mirror across the table. Casual self-admiring video diary, calm and confident.

ACTIVE REFERENCES @image1 : young woman, mid-20s, long brown wavy hair, black strapless corset dress with subtle textured shimmer, diamond tennis necklace, butterfly diamond stud earrings, soft glam makeup. 100% matches the reference. Same dress, hair and jewelry in every cut.

FORMAT MODE Timed multishot, four segments, HARD CUT between each. Inside each segment: one continuous take, single steady framing, camera position held from the segment's first frame to its last. 0.0–2.5s — CUT 1 hotel room, front camera 2.5–5.5s — CUT 2 elevator mirror 5.5–9.0s — CUT 3 evening street, boutique window reflection 9.0–15.0s — CUT 4 restaurant, wall mirror across the table

OPTICS All segments: 84° wide FOV, clean modern phone lens, deep focus, everything sharp. The lens renders the frame evenly — brightness and shadow come only from the scene's own lighting. No drift mid-segment.

CAMERA Every cut is footage from her own phone held in her hand. Her arm is steady and relaxed: only a soft natural sway under 1 cm, smooth and continuous, the frame floats gently at one fixed framing per segment. CUT 2: mid-segment she does one quick digital punch zoom-in on her face, then back out. CUT 4: slow digital zoom-in toward her reflection over the last 2 seconds.

ACTION CUT 1 — a brief selfie beat, phone out of frame, front camera at arm's length slightly above eye level: she stands in one spot in the hotel room, crystal chandelier above, holds her pose calmly, tilts her chin once, light closed-lip smile. CUT 2 — elevator interior, warm metallic walls, she stands facing the elevator mirror holding the phone horizontally in both hands at chest height, phone visible in the reflection; she shifts weight to one hip, adjusts the necklace with two fingers, calm gaze into the mirror. CUT 3 — evening street at dusk: she walks at 4 km/h parallel to a large lit boutique window on her left. She holds the phone at chest height in her right hand, screen toward her, lens pointed at the glass at a slight 45° angle ahead of her, and keeps this exact grip and angle for the whole segment. The frame shows the shop window: her sharp reflection walks through it alongside lit mannequins, the phone visible in her hand in the reflection, warm shop light behind the glass, her hair moving with her steps. CUT 4 — the longest, calmest part. Dim restaurant, low warm light. She sits at a table FACING a large wall mirror mounted 2.5 meters IN FRONT of her, on the far side of the table; her phone films that mirror straight ahead. The frame shows the mirror with her seated reflection at medium distance, phone in her hands visible in the reflection; a lit candle and a water glass on the table in the foreground. She has time here: straightens her posture, tucks a strand of hair behind her ear, rests her chin lightly on her free hand, relaxed half-smile at her own reflection. Final frame: her calm smiling reflection in the candlelight, sharp and centered — natural thumbnail.

PERFORMANCE Restrained, self-assured, unhurried: micro-movements only, soft closed-lip smile, relaxed brows, living eyes with catch-lights from chandelier / elevator lamps / street lights / candle flame. Pore-level skin realism, natural skin texture, fine flyaway hairs catching light.

PHYSICS Hair sways with real inertia on every head turn and step. Dress fabric shifts naturally as she moves and sits. Necklace and earrings catch and scatter light with her motion. Reflections in elevator mirror, shop glass and restaurant mirror perfectly synced to her movement. Candle flame flickers gently, its warm light dancing on her jewelry.

LIGHTING CUT 1: warm interior key from the chandelier above, 3800K, soft bounce from cream walls. CUT 2: even warm elevator downlight, 3500K, gentle specular streaks on metallic walls. CUT 3: dusk ambient 5600K sky mixed with warm 3200K shop-window glow spilling onto her face. CUT 4: low-key dim dining room — the candle is the key light, 2800K warm flame glowing up onto her face, small pools of warm practical lamps deep in the background, the rest of the room falls into soft dark shadow; intimate hushed evening mood, her face and jewelry the brightest points of the frame against the dark interior.

AUDIO Live natural sound only, changing per cut: quiet hotel room tone; low elevator hum and a soft ding; evening street ambience, her heels on pavement, distant traffic; then quiet restaurant — soft murmur of guests, occasional cutlery clink, low mellow music bed.

STYLE Authentic modern phone-camera footage: photoreal, high-detail source, natural color response, true skin tones, very fine subtle grain only, real-time speed in every segment, 16:9 horizontal.

OUTPUT SETTINGS 16:9 horizontal, real-time speed in all four segments.

POSITIVE LOCKS Same woman from @image1 in all four cuts: identical face, hair, black corset dress, diamond necklace and butterfly earrings. Phone visible in her hand in every mirror/window reflection, phone out of frame in CUT 1. Each segment is one continuous take with one fixed framing — steady relaxed handheld float under 1 cm from first frame to last. CUT 1 lasts 2.5 seconds only. CUT 4 is the longest segment (6 seconds), dim candlelit mood, her face lit by the candle as the brightest point of the frame, wall mirror across the table 2.5 meters in front of her, her reflection at medium distance. Calm light smile as the only emotion. Evening timeline consistent: warm interior → elevator → dusk street → dim candlelit restaurant.