Transform each uploaded photo into a separate high-end editorial poster. Never combine multiple photos.Use a strict 3:4 vertical canvas, split horizontally into two exactly equal 50/50 sections.TOP HALF — ORIGINAL PHOTOPreserve the uploaded photo faithfully: same subject identity, face, body proportions, pose, clothing, objects, composition, lighting, shadows, texture, and original color mood. Apply only subtle premium editorial color grading. If needed, naturally extend the background to fit the layout, but never stretch, distort, or redesign the subject.BOTTOM HALF — MINIMAL BLACK CRAYON ILLUSTRATIONReinterpret the most recognizable subject, pose, interaction, and story from the photo as an ultra-minimal black-and-white illustration on clean off-white paper. Simplify the subject into rounded, chunky, slightly naive silhouettes while keeping it instantly recognizable. For multiple subjects, preserve their key interaction as one visual unit.Use only black wax crayon / charcoal / dry rubbing marks on white paper. No color, no realistic shading, no smooth vector fills. Build black areas from rough repeated strokes with visible paper grain, broken edges, uneven density, white gaps, shaky contours, and handmade imperfections.Use bold white negative-space cutouts inside black forms to suggest key features such as faces, eyes, animal muzzles, windows, openings, or distinctive details. Finish with only a few tiny black dots or short lines. Avoid realistic facial rendering.Keep the lower composition extremely sparse: lots of white space, one main visual relationship, minimal environment. Use only a rough ground line or a few simple marks for grass, rain, smoke, road, wind, shadows, or objects.Add one short English title + 1–2 tiny supporting text elements inspired by the photo’s emotion, action, relationship, or small story. Use restrained editorial typography mixed with slightly awkward handwritten or crayon-style lettering. Integrate the text into the illustration: along the ground line, inside negative space, following movement, or lightly overlapping the drawing.Overall mood: old black-and-white children’s book reissued by a high-end contemporary design studio — quiet, warm, slightly funny, lonely, tactile, childlike but sophisticated.Avoid: smooth digital outlines, clean vector shapes, precise geometry, realistic shading, gradients, 3D effects, color, heavy gray washes, sticker-like graphics, generic commercial illustration, or template-like poster design.