What if Banana Man starred in a classic movie like mr bean?😂😂 🎬 Some movie scenes are too iconic not to remix. So I gave them a fun twist by replacing the main character with Banana Man and reimagining the entire scene in a whole new way. Created entirely with YesAnd AI. If I were the director... this would be my version. Which movie should Banana Man remix next? Calling all my friend to join this event @fikkkfx @apilpirman @wirayaadimas @cello.ip @yesand_ai #yesandremix
Prompt
Shot 1 (0:00–0:03) The camera opens outside a stylish London storefront. The entrance door swings open and the man confidently walks out toward a waiting 1977 Austin Citron Green Mini 1000 parked at the curb. Without stopping, he climbs onto the armchair securely mounted on the roof and grips both chair arms with both hands. The cabin is clearly visible through the windows and completely empty. There is no driver. There is no passenger. All four doors remain closed. Photorealistic. Native synced audio of footsteps, distant traffic and city ambience.
Shot 2 (0:03–0:06) The Mini smoothly pulls away from the curb and accelerates through London's busy streets. The camera follows directly behind the car at vehicle height in one smooth continuous tracking shot, matching its speed. The man remains seated on the roof, gripping both chair arms as his jacket and hair blow naturally in the wind. The empty cabin is clearly visible through the rear and side windows. Sound: engine, tyres, traffic and rushing air.
Shot 3 (0:06–0:10) The camera continues tracking behind the Mini as it moves naturally through busy London traffic, passing double-decker buses, black cabs, vans and cars. Reflections glide across the windows and bodywork. The camera stays locked on the Mini while maintaining a smooth cinematic follow shot. The man never releases the chair arms. The cabin remains completely empty and clearly visible through the windows. Sound: engine, traffic, horns and wind.
Shot 4 (0:10–0:13) The camera gradually moves closer before shifting into a three-quarter rear tracking angle alongside the Mini. The man sits firmly on the roof-mounted armchair, gripping both chair arms while the car continues at speed. His platinum blonde hair, ginger-brown beard, glasses, neck tattoos, brown tweed jacket, white shirt and red tie move naturally in the wind. The car is driving itself. The interior is fully visible through every window. There is no driver. There is no passenger. Empty seats. Sound: engine, traffic and wind.
Shot 5 (0:13–0:15) The camera smoothly transitions into a clean side tracking shot travelling parallel with the Mini. Full profile of the car. The man remains seated on the roof gripping both chair arms. The empty cabin is clearly visible through the side windows. Matte black bonnet, Austin Citron Green body, SLW 287R plates. Soft overcast London lighting. Sound: engine, city ambience and wind.
Identity locks: Man: Platinum blonde hair, ginger-brown beard, neck tattoos, glasses, brown tweed jacket with elbow patches, white shirt, red tie, brown trousers, black Oxford shoes.
Car: 1977 Mini 1000, Austin Citron Green, matte black bonnet, SLW 287R plates, vintage armchair securely mounted on the roof.
Hard rules: One continuous shot. No cuts. Ground-level cinematic tracking camera only. No drone shots. No aerial views. No FPV camera. The man always grips both chair arms with both hands. No rope. No steering mechanism. The car is driving completely by itself. ABSOLUTELY NOBODY INSIDE THE CAR. The cabin must remain visibly empty in every frame where the interior is visible. No driver. No passenger. Empty seats. All four car doors remain closed. Windows remain closed. Photorealistic. Native synced audio. No text. No logos. No watermark.